Tāurunga Genre/Form Term

Maha o ngā pūkete i whakamahia i: 405

001 - CONTROL NUMBER

• control field: 1074

003 - CONTROL NUMBER IDENTIFIER

• control field: DLC

005 - DATE AND TIME OF LATEST TRANSACTION

• control field: 20210924110533.0

008 - FIXED-LENGTH DATA ELEMENTS

• fixed length control field: 141201|| anznnbabn |a ana c

010 ## - LIBRARY OF CONGRESS CONTROL NUMBER

• LC control number: gf2014026590

040 ## - CATALOGING SOURCE

• Original cataloging agency: IlChALCS
• Language of cataloging: eng
• Transcribing agency: DLC
• Subject heading or thesaurus conventions: lcgft
• Modifying agency: DLC
• Modifying agency: WaU

155 #7 - HEADING--GENRE/FORM TERM

• Genre/form term: War fiction.

455 ## - SEE FROM TRACING--GENRE/FORM TERM

• Genre/form term: Anti-war fiction

455 ## - SEE FROM TRACING--GENRE/FORM TERM

• Genre/form term: Antiwar fiction

455 ## - SEE FROM TRACING--GENRE/FORM TERM

• Genre/form term: Combat fiction

555 ## - SEE ALSO FROM TRACING--GENRE/FORM TERM

• Control subfield: g
• Genre/form term: Fiction

670 ## - SOURCE DATA FOUND

• Source citation: Encyclopedia of American war literature, 2000:
• Information found: introduction (War literature, particularly fiction, lends itself to classification by duration and focus of conflict. That is, plots are derived from such frames as the tour of duty (James Webb's Fields of Fire), campaigns (John Del Vecchio's The 13th Valley), particular battles or skirmishes (Humphrey Cobb's Paths of Glory), and sometimes the contours of a single day (Harry Brown's A Walk in the Sun and David Halberstam's One Very Hot Day). Many successful works, like James Michener's The Bridges at Toko-ri, gain their organizing strength from the combination of parameters: the military objective and the military unit; the great bulk of war narratives that focus on young men (as they so often and so unfortunately must) are essentially initiation or coming of age stories, and the complex of ways in which a tour of duty turns into a trial of selfhood needs detailed examination, as does the corollary motif of bonding and brotherhood; a major subset of war literature is the prisoner of war story; The consequences of war--on the individual, on the war-torn country, and even on the culture of the participating nation whose borders remain secure--have generated a body of work that rivals the literary response to combat itself. Aftermath and homecoming stories have their own dimensions and motifs)

670 ## - SOURCE DATA FOUND

• Source citation: GSAFD, 2000
• Information found: (War stories. Use for stories dealing with wars, campaigns, or battles from the military angle)

670 ## - SOURCE DATA FOUND

• Source citation: Goodreads, Nov. 15, 2012
• Information found: (number of works tagged with term: war-fiction, 2313; war-stories, 3856 (mix of fiction, general nonfiction, history, memoirs, true adventure))

670 ## - SOURCE DATA FOUND

• Source citation: Scholl, P.A. Some recent American novels with antiwar themes, 1972.

670 ## - SOURCE DATA FOUND

• Source citation: Bitz, R.R. An examination of the anti-war statement in selected World War I novels, 1972.

670 ## - SOURCE DATA FOUND

• Source citation: Peebles, S.L. "There it is" : writing violence in three modern American combat novels, 2004.

680 ## - PUBLIC GENERAL NOTE

• Explanatory text: Fiction that features military conflicts. For fiction that features the military lifestyle and loyalty to the armed forces and its codes and is generally set during peacetime see
• Heading or subdivision term: Military fiction.

681 ## - SUBJECT EXAMPLE TRACING NOTE

• Explanatory text: Note under
• Subject heading or subdivision term: Military fiction