Image from Coce

Private view / Alexandra Connor.

Nā: Momo rauemi: TextTextKaiwhakaputa:Leicester : Charnwood, 2016.Edition: Large print editionWhakaahuatanga: 252 pages (large print) ; 24 cmISBN:
  • 9781444829563 (hbk.)
  • 1444829564
Ngā marau: Genre/Form: DDC classification:
  • 709.22
Summary: Behind universally admired works of art - THE LAUGHING CAVALIER by Hals, THE BIRTH OF VENUS by Botticelli, THE THINKER by Rodin, and many more - are the artists themselves, whose lesser-known eccentricities are revealed in PRIVATE VIEW. Here is Fra Filippo Lippi, a friar who had to be locked in a room by the Pope in order to keep him at the easel and away from the bedroom. William Blake, who talked to the dead - and Theodore Gericault, who brought the dead home with him to use as unpaid models. Here is Rembrandt, who not only owned a monkey himself, but once painted a similar creature into a patron's family portrait. And of course the swaggering Michelangelo, who as a child recommended his 'perfect' services 'in all humility' to the Duke of Milan...
Ngā tūtohu mai i tēnei whare pukapuka: Kāore he tūtohu i tēnei whare pukapuka mō tēnei taitara. Takiuru ki te tāpiri tūtohu.
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Behind universally admired works of art - THE LAUGHING CAVALIER by Hals, THE BIRTH OF VENUS by Botticelli, THE THINKER by Rodin, and many more - are the artists themselves, whose lesser-known eccentricities are revealed in PRIVATE VIEW. Here is Fra Filippo Lippi, a friar who had to be locked in a room by the Pope in order to keep him at the easel and away from the bedroom. William Blake, who talked to the dead - and Theodore Gericault, who brought the dead home with him to use as unpaid models. Here is Rembrandt, who not only owned a monkey himself, but once painted a similar creature into a patron's family portrait. And of course the swaggering Michelangelo, who as a child recommended his 'perfect' services 'in all humility' to the Duke of Milan...

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