Alice's adventures in Wonderland / Lewis Carroll ; illustrations by Camille Rose Garcia.

Nā: Carroll, Lewis, 1832-1898 [author.].
Kaituhi: Ingpen, Robert, 1936- [illustrator.] | Garcia, Camille Rose, 1970- [illustrator.].
Momo rauemi: materialTypeLabelPukapukaKaiwhakaputa: New York : Collins Design, 2010Whakaahuatanga: 159 p. : col. ill. ; 22 cm.ISBN: 9781921529023; 9781406370706; 9780061886577; 0061886572.Ngā marau: Alice (Fictitious character : Carroll) -- Children's fictionGenre/Form: Fantasy fiction. | Children's stories.DDC classification: 823/.8 Summary: When Alice follows the white rabbit down the rabbit-hole, she finds herself in the most unusual of places. Here is a strange world of mad tea parties, disappearing cats, and a Queen of Hearts who, convinced that Alice has stolen her tarts, wants to cut off her head! How, oh how, is Alice ever going to find her way home?
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Ngā whakaahuatanga whakarei nā Syndetics:

A newly illustrated edition of this classic tale by one of Australia's greatest children's book illustrators. A new edition of Lewis Carroll's classic book, Alice's Adventures in Wonderland, featuring illustrations by Robert Ingpen. It tells the story of a girl named Alice who falls down a rabbit hole into a fantasy world populated by peculiar and anthropomorphic creatures.

When Alice follows the white rabbit down the rabbit-hole, she finds herself in the most unusual of places. Here is a strange world of mad tea parties, disappearing cats, and a Queen of Hearts who, convinced that Alice has stolen her tarts, wants to cut off her head! How, oh how, is Alice ever going to find her way home?

Ages 9+

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Library Journal Review

Academic audiences will need little persuasion to see this volume as a relevant addition to any collection not already holding a copy of the 1969 Maecenas Press edition of the same work. However, general readers will find much to contemplate here, as some may still see Dalí as the "melting clock guy" and will be surprised to find that these gestural, high-energy gouaches were painted by the same artist who produced all of those finely wrought oil paintings with their asymmetrical use of volumes of sky and sand. Unlike more straightforward pairings of literature with surrealism, such as Max Ernst's illustrations for René Crevel's Babylon, the images accompanying Carroll's text do not so much explicate the story as extend it, providing both a narrative-inspired and narrative-independent dream sequence that simultaneously meanders among and augments the text's many symbols. The introduction by Burstein (president emeritus, Lewis Carroll Soc. of North America) and Thomas Banchoff (emeritus, Brown Univ.) provides a valuable grounding in the artist's interests and obsessions at the time the gouaches were created. VERDICT A worthy purchase for public and academic libraries.-Jenny Brewer, Helen Hall Lib., League City, TX © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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